Motion Picture Sound Editors Unveil Full List Of Golden Reel Nominees
The 61st MPSE Golden Reel Awards Nominees
BEST SOUND EDITING: MUSIC IN A MUSICAL FEATURE FILM
Frozen
Music Editor: Fernand Bos, MPSE
Inside Llewyn Davis
Music Editor: Jen Monnar
Justin Bieber’s Believe
Supervising Music Editor: Kevin McKeever
Metallica Through the Never
Music Editor: Matt Fausak
BEST SOUND EDITING: MUSIC SCORE IN A FEATURE FILM
12 Years A Slave
Music Editor: Katrina Schiller
47 Ronin
Supervising Music Editor: Andrew Silver
American Hustle
Music Supervisor: Susan Jacobs
Gravity
Supervising Music Editor: Christopher Benstead
The Great Gatsby
Supervising Music Editor: Jason Ruder
The Hobbit: The Desolation of Smug
Supervising Music Editor: Mark Willsher
Mandela: Long Walk To Freedom
Supervising Music Editor: Lewis Morison
World War Z
Supervising Sound Editor: John Finklea
BEST SOUND EDITING: SOUND EFFECTS & FOLEY IN A FEATURE FILM
12 Years A Slave
Supervising Sound Editors: Ryan Collins, MPSE, Robert Jackson
All Is Lost
Supervising Sound Editors: Richard Hymns, Steve Boeddeker
Captain Phillips
Supervising Sound Editor: Oliver Tarney, MPSE
Fast & Furious 6
Supervising Sound Editor: Peter Brown
Gravity
Supervising Sound Editor: Glenn Freemantle
The Hobbit: The Desolation of Smug
Supervising Sound Editor: Chris Ward
Iron Man 3
Supervising Sound Editors: Mark Stoeckinger, Andrew DeCristofaro, MPSE
Lone Survivor
Supervising Sound Editor: Wylie Stateman
BEST SOUND EDITING: DIALOGUE & ADR IN A FEATURE FILM
12 Years A Slave
Supervising Sound Editor: Ryan Collins, MPSE
American Hustle
Supervising Sound Editor: John Ross
August: Osage County
Supervising Sound Editor: Lon Bender, MPSE
Captain Phillips
Supervising Sound Editor: Oliver Tarney, MPSE
Gravity
Supervising Sound Editor: Glenn Freemantle
Her
Supervising Sound Editor: Ren Klyce
Inside Llewyn Davis
Supervising Sound Editor: Skip Lievsay
Lone Survivor
Supervising Sound Editor: Wylie Stateman
BEST SOUND EDITING: SOUND EFFECTS, FOLEY, DIALOGUE & ADR IN AN ANIMATION FEATURE FILM
Cloudy With A Chance Of Meatballs 2
Supervising Sound Editor: Geoffrey G. Rubay
The Croods
Supervising Sound Editors: Randy Thom, Jonathan Null
Despicable Me 2
Supervising Sound Editors: Dennis Leonard, Chris Scarabosio
Epic
Supervising Sound Editors: Randy Thom, Gwendolyn Yates Whittle
Ernest & Celestine
Supervising Sound Editor: Fred Demolder
Frozen
Supervising Sound Editor: Odin Benitez, MPSE
Monsters University
Supervising Sound Editors: Michael Silvers , Tom Myers
Planes
Supervising Sound Editors: Todd Toon, MPSE, Rob Nokes
BEST SOUND EDITING: SOUND EFFECTS, FOLEY, DIALOGUE & ADR IN A FOREIGN FEATURE FILM
Blue Is the Warmest Color
Supervising Sound Editor: Fabien Pochet
The Grandmaster
Supervising Sound Editors: Robert Mackenzie, Traithep Wongpaiboon
The Past
Supervising Sound Editor: Thomas Desjonqueres
Wadjda
Supervising Sound Editor: Sebastian Schmidt
BEST SOUND EDITING: DOCUMENTARY IN AN ANIMATION FEATURE FILM
“1″
Supervising Sound Editors: Lon Bender, MPSE, Beau Borders
20 Feet From Stardom
Supervising Sound Editor: Al Nelson
CinemAbility
Supervising Sound Editor: Andrew DeCristofaro, MPSE
Dirty Wars
Supervising Sound Editor: Christopher Barnett
Good Ol’ Freda
Supervising Sound Editor: Henry Auerbach
Muscle Shoals
Supervising Sound Editor: Christopher Koch
Rising From Ashes
Supervising Sound Editors: David Barber, MPSE, Ben Zarai
Sound City
Supervising Sound Editor:
BEST SOUND EDITING: SOUND EFFECTS, FOLEY, DIALOGUE AND ADR ANIMATION IN TELEVISION:
Fairly OddParents
Supervising Sound Editor: Heather Olsen, MPSE
Gravity Falls
Supervising Sound Editor: Heather Olsen, MPSE
Star Wars: The Clone Wars
Supervising Sound Editor: Matthew Wood
Monster High
Supervising Sound Editor: Joe Pizzulo
Phineas and Ferb
Supervising Sound Editor: Robert Poole II, MPSE
Teenage Mutant Ninja Turtles
Supervising Sound Editors: Jeff Shiffman, Otis Van Osten
Tron: Uprising
Supervising Sound Editor: Michael Ferdie
T.U.F.F. Puppy
Supervising Sound Editor: Heather Olsen, MPSE
BEST SOUND EDITING: SHORT FORM DOCUMENTARY IN TELEVISION
North America
Supervising Sound Editors: Kate Hopkins, Tim Owens
Through the Wormhole with Morgan Freeman
Supervising Sound Editor: Eric Raber
30 Days In May
Supervising Sound Editor: Kelly Vandever
BEST SOUND EDITING: LONG FORM DOCUMENTARY IN TELEVISION
Deadliest Catch: The Final Battle
Supervising Sound Editor: Bob Bronow, CAS
30 for 30 BIG SHOT
Supervising Sound Editors: Eric Lalicata, Marcus Pardo
Manhunt
Supervising Sound Editors: Trip Brock, Steven Avila MPSE
BEST SOUND EDITING: COMPUTER EPISODIC ENTERTAINMENT
Intel/Toshiba The Power Inside
Supervising Sound Editor: Darren “Sunny” Warkentin, MPSE
Mortal Kombat:Legacy Series II
Supervising Sound Editor: Michael Babcock
Video Game High School (Season 2)
Supervising Sound Editor: Paul Andre Fonarev
Bravest Warriors
Supervising Sound Editors: Gary Falcone, Joe Pizzulo
INSIDIOUS: Spectral Sightings
Supervising Sound Editor: Mark Camperell, MPSE
BEST SOUND EDITING: COMPUTER INTERACTIVE ENTERTAINMENT
Batman Arkham Origins
Supervising Sound Editor: Alain Larose
Final Fantasy XIV – A Realm Reborn
Supervising Sound Editors: Scott Martin Gershin, MPSE, Masanobu ‘Tomi’ Tomita
The Last of Us
Supervising Sound Editor: Shannon Potter
Skylanders Swap Force
Supervising Sound Editors: Mark Jasper, MPSE, Tom Hays
StarCraft 2: Heart of the Swarm Cinematic
Supervising Sound Editor: Paul Menichini, MPSE
BEST SOUND EDITING: DIRECT TO VIDEO ANIMATION
Batman: The Dark Knight Returns Pt.2
Supervising Sound Editor: Robert Hargreaves, MPSE
Koala Kid
Supervising Sound Editor: Eric Lalicata
Superman: Unbound
Supervising Sound Editor: Robert Hargreaves, MPSE
BEST SOUND EDITING: DIRECT TO VIDEO LIVE ACTION
The Baytown Outlaws
Supervising Sound Editor: Eric Lalicata
Empire State
Supervising Sound Editor: David Barber, MPSE
Evidence
Supervising Sound Editors: Darren “Sunny” Warkentin, MPSE, Lon Bender, MPSE
The Frozen Ground
Supervising Sound Editor: David Barber, MPSE
Lord of Darkness
Supervising Sound Editor: Trip Brock
Marvel One-Shot: Agent Carter
Supervising Sound Editor: Andrew DeCristofaro, MPSE
BEST SOUND EDITING: SPECIAL VENUE
Great White Shark 3D
Supervising Sound Editor: Brian Eimer
Jerusalem
Supervising Sound Editors: Michael B. Bordeleau, Peter Thillaye
Journey to the Pacific
Supervising Sound Editor: Andrew De Cristofaro, MPSE
Titans of the Ice Age
Supervising Sound Editor: Brian Eimer
To the Arctic 3D
Supervising Sound Editor: Andrew De Cristofaro, MPSE
BEST SOUND EDITING IN TELEVISION – SHORT FORM: DIALOGUE & ADR
American Horror Story: Coven
Supervising Dialogue Editor: Gary Megregian, MPSE
Boardwalk Empire
Supervising ADR Editor: Jeffery Stern
Supervising Dialogue Editor: Fred Madsen
Breaking Bad EP 513 “To’hajiilee”
Supervising ADR Editor: Nick Forshager
Supervising Dialogue Editor: Kathryn Madsen
Family Tree
Supervising ADR Editor: Hamilton Sterling
Supervising Dialogue Editor: Alison Fisher
Game of Thrones
Supervising ADR Editor: Jed Dodge
Supervising Dialogue Editor: Tim Hands
House of Lies Episode 204
Supervising Dialogue & ADR Editor: Pembrooke Andrews
The Newsroom
Supervising ADR Editor: Mark Relyea
The Walking Dead
Supervising Dialogue & ADR Editor: Lou Thomas
BEST SOUND EDITING IN TELEVISION – SHORT FORM: SOUND EFFECTS & FOLEY
Boardwalk Empire
Supervising Sound Editor: Fred Rosenberg
The Borgias “The Face of Death”
Supervising Sound Editor: Jane Tattersall, MPSE
Breaking Bad EP 516 “Felina”
Supervising Sound Editor: Nick Forshager
Homeland
Supervising Sound Editor: Craig Dellinger, MPSE
Game of Thrones
Supervising Sound Editor: Tim Kimmel
Once Upon a Time in Wonderland
Supervising Sound Editors: Joe Schultz, Tom de Gorter, MPSE
Vikings Season One
Supervising Sound Editor: Jane Tattersall, MPSE
The Walking Dead
Supervising Sound Editor: Jerry Ross
BEST SOUND EDITING IN TELEVISION – LONG FORM: DIALOGUE & ADR
Bonnie And Clyde Night 2 Dead and Alive
Supervising Dialogue & ADR Editor: Pembrooke Andrews
The Bridge
Supervising ADR Editor: Mike Marchain
Dancing on the Edge
Supervising Dialogue & ADR Editor: Ian Wilkinson
Mob City
Supervising ADR Editor: Lou Thomas
Sons of Anarchy “Mad King”
Supervising ADR Editor: Erich Gann
Supervising Dialogue Editor: Joy Ealy
BEST SOUND EDITING IN TELEVISION – LONG FORM: SOUND EFFECTS & FOLEY
The Bible
Supervising Sound Editor: Marc Lawes
Borealis
Supervising Sound Editors: Kevin Howard, MPSE, Robert Hegedus
Defiance
Supervising Sound Editors: Daniel Colman, MPSE, Jack Levy
Killing Kennedy
Supervising Sound Editor Larry Goeb
Sons of Anarchy “Salvage”
Supervising Sound Editor: Erich Gann
BEST SOUND EDITING IN TELEVISION – SHORT FORM: MUSIC
Arrested Development
Supervising Music Editor: Jason Tregoe Newman
Borgia
Supervising Music Editor: Robert Cotnoir, MPSE
CSI: Crime Scene Investigation
Supervising Music Editor: Troy Hardy
Game of Thrones
Supervising Music Editor: David Klotz
The Good Wife
Music Editor: Sharyn Gersh
Hostages
Music Editor: Skye Lewin, MPSE
Marvel’s Agents of S.H.I.E.L.D.
Music Editor: Lodge Worster
BEST SOUND EDITING IN TELEVISION – SHORT FORM: MUSICAL
Glee
Supervising Music Editor: David Klotz
Nashville
Supervising Music Editor: Jen Monnar
The Neighbors
Supervising Music Editor: Chris Foster
Peg + Cat
Supervising Music Editor: Steven Rebollido
Smash 207 – Musical Chairs
Music Editor: Dan Evans Farkas
BEST SOUND EDITING IN TELEVISION – LONG FORM: MUSICAL
History of the Eagles
Music Editor: Annette Kudrak, MPSE
Smash
Supervising Sound Editor: Robert Cotnoir, MPSE
Teen Beach Movie
Supervising Sound Editor: Amber Funk
VERNA FIELDS AWARD IN SOUND EDITING FOR STUDENT FILMMAKERS
Anamnesis
National Film and Television School
Sound Designer: Filipe Paszkiewicz
First Light
National Film and Television School
Sound Designer: Raoul Brand
If You’re Serious
University of Miami School of Communications
Sound Designer: Jorge Fernandez
The Magnificent Lion Boy
National Film & Television School
Sound Designer: Ania Przygoda
Miss Todd
National Film & Television School
Filmmaker: Kristina Yee
Robomax
National Film & Television School
Sound Designer: Tingli Lim
Sleeping With The Fishes
National Film and Television School
Sound Designer: Nikola Medic
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